Andor Episode 12 Review: The Finale Doesn’t Quite Justify Longer Star Wars Series

Cassian comes full circle as Andor suggests a different vibe for season 2.

Ryan Britt | November 23, 2022 | | 0

Diego Luna as Cassian Andor in Star Wars: Andor — *Photo: Lucasfilm*

This Star Wars: Andor contains spoilers.

Andor Episode 12

In the season 1 finale of a post-credits scene that finally answers what Cassian and the other prisoners on Narkina 5 were building all along…

After separating from Melshi, Cassian heads back to Ferrix to attend Maarva’s funeral, and in the process, he also plans to rescue Bix from the vile clutches of the evil ISB. All the other characters (minus Mon Mothma) also head to Ferrix, because everyone is trying to catch and/or kill Cassian, and both the Empire and Rebels know that’s where he’s headed. Fortunately, Vel, Cinta, Syril, Dedra, and Luthen, are all prevented from taking out their target, thanks to Maarva’s posthumous final stand against against the Empire, and Cassian’s plan more of less works.

A pre-recorded hologram of Maarva becomes the real hero, as her visage-from-beyond-the-grave urges her fellow citizens to “fight the Empire!” (It’s a stunning farewell for the brilliant Fiona Shaw in the A New Hope (“There’s nothing I can do about it right now!”) then this scene works wonders.

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And yet, as thrilling as the Andor season 1 finale is, one can’t help but feel that this slow-burn show just suddenly stopped. In fact, the narrative flow of the series as a whole feels frustratingly incongruous, apparently by design. Does Andor season 1 really justify its 12-episode journey?

Andor began as a show about a guy looking for his sister and ends up being about a guy who wants to a revolution for reasons totally unconnected to any of the reasons he got into trouble in the first place. This is okay, and reflective of real life insofar as things often unfold in ways that are unpredictable and unconnected to our original intentions. And yet, from a novelistic perspective, what does Cassian want? And do those motivations actually carry forward in the story? Sometimes it just feels like a bunch of random things are happening to him. Rogue One ending?

The version of Cassian who emerges from the prison on Narkina 5 is similar enough to the person who went into that prison. You could easily imagine a bizarro version of the season that went like this: We start with Cassian on vacation, then he gets arrested, then he goes to Narkina 5, then he breaks out, then he meets up with Luthen, then they do the heist on Aldhani, then Nemik dies, then Cassian is lured back to Ferrix for the funeral of his mother, and the show ends pretty much the same way. If we can reorder the plot points of Andor, and arrive at similar emotional epiphanies, regardless of causes and effects, then suddenly we have to search for the one plot point that does matter and can’t be arbitrarily moved.

For Andor, that thing is probably the prison storyline. That’s the thing that keeps him away from his mother and it’s the only thing that delays all the other characters from coming to the same place in the end. None of the other storylines were allowed to really move forward at any kind of reasonable pace while Cassian was in prison. Think about it: At least one-third of the show was focused on Imperial operatives looking for a person they’d already locked up on accident.

In other words, there’s something contrived about the finale of Andor that works slightly against the naturalism the series so often strives for. Paradoxically, by not connecting more dots in this finale, by not making more callbacks to the way in which the show began (where’s Andor’s sister!!), the loosey-goosey plotting only makes the show seem less realistic, instead of more. Bringing Andor and Luthen back together makes clear that heroic journeys aren’t always straight lines, and that’s good. But I’m not sure Andor needed 12 episodes to make this point.

We know Andor season 2 will be different. The ending promises us that. It can be argued that Andor season 1 succeeds mostly by playing against our desire for a more straightforward adventure flare. That tension is what defines the series, and that’s mostly to its credit. It’s not trying to be a crowd-pleaser. And yet, there’s a fine line between making a narrative decision because it’s not what we expect and making that same decision because it makes sense. What remains to be seen in season 2 is if the show can pull off a bigger trick: Andor has successfully proven what kind of show it isn’t. But it’s still not clear if we know what kind of show it is.