David Lynch and the Star Wars: Return of the Jedi That Might Have Been

Imagine you’re George Lucas. Imagine that you’ve just watched a weird experimental, black-and-white movie called Eraserhead. It doesn’t make sense, but it perfectly captures the anxieties anyone faces right before becoming a parent. Also, there’s an unbelievable baby monster creature that looks unlike anything you’ve seen before. 

Then imagine you watch another movie by the same director, called The Elephant Man. It’s still black and white and has its surrealistic touches, but it tells a deeply humanistic story about a man with debilitating physical deformities asserting his dignity. 

What do you do next">Star Wars!”

As strange as it sounds, Lucas ired Return of the Jedi. 

Why George Lucas Wanted David Lynch for Return of the Jedi

Whatever his openly romantic and often deeply upsetting oeuvre may suggest, Lynch himself is an affable Midwesterner, a practitioner of Transcendental Meditation who has a reputation as a nice guy. Lynch began his career as a painter, but switched to animation and filmmaking because he wanted to see his pictures move. 

After a few live-action and animated shorts, Lynch got funding from the American Film Institute to make his first feature, Eraserhead. He worked with a very small crew and remained buoyed by donations from his star Jack Nance (or, more accurately, Nance’s wife at the time, Sissy Spacek). When the film was finally picked up for distribution, it became a staple of midnight showings and garnered a cult following that included some influential people, including not only Lucas but also Mel Brooks. 

Brooks hired Lynch to direct The Elephant Man, based on a script by Christopher De Vore and Eric Bergren that his production company had optioned. Thanks to the larger budget and involvement of more powerful producers, The Elephant Man had a cast of heavy hitters, including Anthony Hopkins as Doctor Frederick Treves. Despite some surreal sequences here and there, The Elephant Man played as a relatively straightforward biopic, which received critical praise and eight Academy Award nominations. 

Given the film’s success, it was easy to see why Lucas considered Lynch for the job. Many directors, including Lucas himself, indulge themselves in more esoteric works early in their career, and slowly veer toward mainstream work as they gain confidence. Furthermore, both Eraserhead and The Elephant Man demonstrated Lynch’s facility with special effects, a quality needed for anyone working on a Star Wars film. 

Lucas and Lynch’s Return of the Jedi Meeting

The Eraserhead director wasn’t actually Lucas’ first choice to direct the third Star Wars movie. It was Steven Spielberg, who by the early ’80s had already made E.T. the Extra-Terrestrial. But the Director’s Guild of America barred Spielberg from directing Return of the Jedi after Lucas dropped out of the union due to a dispute over The Empire Strikes Back.

Fans have long known that Lucas then pursued Lynch for Return of the Jedi, but the full story didn’t come out until a 2010 interview. Lynch said at the time: “I was asked by George to come up to see him about directing what would be the third Star Wars. And I had next door to zero interest.”

In between delightful digressions about a restaurant that only served salad and the way that Lucas drove his Ferrari, Lynch itted in the interview that he “always ired George” because Lucas “is a guy who does what he loves.” Lynch identified with that approach because he too does what he loves, although he noted that “the difference is, what George loves makes hundreds of billions of dollars.” 

Despite those pleasant intentions, Lynch its to feeling “a little bit of a headache” when Lucas started showing him some of the art from the film, especially “these things called Wookiees.” In short, Lynch rejected the idea of making the movie.

“Even before I got home, I kind of crawled into a phone booth, and I called my agent and said, ‘There’s no way! There is no way I can do this!’ He said, ‘David, David, David…Calm down! You don’t have to do this,'” Lynch said. “So George, bless his heart, I told him on the phone the next day that he should direct it. It’s his film. He invented everything about it. But he doesn’t really love directing. So someone else did direct that film. But I called my lawyer and told him I wasn’t going to do it. And he said, ‘You just lost, I don’t know how many millions of dollars.’ But it’s okay.”

Even before being forced to learn what a Wookiee was, Lynch had his doubts about science fiction. Lynch shared in his book of interviews Lynch on Lynch that he doesn’t particularly enjoy the genre: “I’ve never even really liked science fiction. I like elements of it, but it needs to be combined with other genres. And, obviously, Star Wars was totally George’s thing.”

Of course, Lucas didn’t take Lynch’s advice and instead turned to other candidates, including Dune for Dino De Laurentiis. 

While that particular project Twin Peaks, firmly establishing himself as one of the most interesting filmmakers of his generation. 

As for Return of the Jedi, well, it remains one of the best Star Wars films ever made, Wookiees and all.

The Return of the Jedi That Might Have Been

It’s actually hard to imagine that Lynch’s version of Star Wars would be much different than the one helmed by Marquand. Although Lynch didn’t care much for science fiction or Star Wars in particular, Dune was the one outlier. Even then, Lynch took an interest in Dune because he thought it would give him the opportunity to create worlds, something that Lucas liked to do himself. There have long been rumors that Marquand found it difficult to work with Lucas’ hands on approach to producing, and that it was the Maker himself who ended up ghost directing the film. How much of Marquand’s vision actually made it to the big screen remains a subject of debate within the fandom. It seems really unlikely that an auteur like Lynch would have fared much better. One only needs to watch at the theatrical cut of Dune, which the director has since disowned, for proof.

While YouTube creators have spliced clips from Jedi and Lynch’s movies to make a hypothetical “Lynch Cut” of the film, and surely some doofus dabbling in AI will eventually program “David Lynch’s Return of the Jedi” (we all can guess Patrick Stewart with a pug. Nonetheless, it’s fun to imagine what Lynch would have done had Lucas given him free rein on the project. 

Lynch likes his heroes to be paragons like Sailor from Wild at Heart or Agent Cooper from Twin Peaks, men who endure bizarre difficulties and whose inherent goodness manifests in unusual ways, but remain resolute. We could see how he would have treated Darth Vader more like a manifestation of the Force’s dark side, bombarding his enemies with nightmarish visions (which was actually plot point in the darker endings for the film Lucas and screenwriter Lawrence Kasdan flirted with, though.

Given his fascination with women in trouble, the hero of Lynch’s Return of the Jedi may very well have been Leia, especially with her newly-revealed connection to Luke and Vader. Where Leia and Han of the finished Return of the Jedi get shoved into side quests, the pull Leia feels between Luke and Vader might have become the true crux of the film, making for the surreal set pieces that Lynch loves so much. 

But as fun as the thought exercise is, it’s probably for the best that this collaboration never happened and that movie history ran its course. All these years later, we now get to marvel not only at how well Return of the Jedi turned out but also what a fascinating oddity Lynch’s Dune truly is. We’re glad Lucas showed Lynch those Wookiees.