Ryan Gosling’s Wolf Man Movie Gets Invisible Man Director

Filmmaker Leigh Whannell is in talks to direct The Wolf Man, according to Whannell wrote and directed. That film starred Elisabeth Moss and grossed $124 million worldwide in just a few weeks of theatrical release, before the pandemic shut screens down everywhere.

The Invisible Man cost just $7 million to make, a price point that’s comfortable for both Whannell, whose career was launched with the independent Saw, and Blumhouse Films, the horror hit factory which produced Whannell’s previous monster effort. Blumhouse has also just come aboard The Wolf Man, after head honcho Jason Blum told us a few weeks ago that his shop was not yet involved.

The Wolf Man was announced earlier this year, with Gosling attached as star and producer but no script or director in the loop at the time. Whannell will write a treatment for the film, based on his own original idea as well as the 1941 Universal classic starring Lon Chaney Jr., with Lauren Schuker Blum and Rebecca Angelo set to take his premise and flesh it out into a full screenplay.

Whannell’s take on The Invisible Man was brilliantly conceived, making the idea of an unseen stalker relevant to the current social climate and the #MeToo movement while retaining some of the traditional elements of the H.G. Wells novel and the 1935 movie adapted from it.

Whannell is quite comfortable working with the Blumhouse team, having collaborated with the company on a number of previous projects such as all four entries in the Insidious franchise and his well-received 2018 sci-fi effort Upgrade. Whannell was also attached earlier this year to a long-developing remake of Escape from New York, although the status of that project is unknown.

Following Universal’s attempt to relaunch its Classic Monsters in their own shared universe with 2017’s disastrous “Dark Universe” concept has been shelved, Universal and Blumhouse are working with director Karyn Kusama (The Invitation) on a new version of Dracula and is still apparently developing a remake of Bride of Frankenstein.

Universal’s last riff on its famous lycanthrope was 2010’s Rick Baker, so that’s something).